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During World War II -- on D-Day -- Russell was training soldiers in the use of explosives when a defective fuse set off the explosives he was holding, leading to the amputation of both his hands. He didn't quit the Army, however: an actor, he appeared in an Army documentary, Diary of a Sergeant, about the rehabilitation of an amputee. Director William Wyler saw that film, and asked Russell to appear in his film The Best Years of Our Lives. Russell won two Academy Awards for work in the movie, about adjusting to civilian life after the war: one for best supporting actor and one for "bringing aid and comfort to disabled veterans through the medium of motion pictures." The film also won Oscars for best picture (1946), best director, best actor for (Frederic March), best screenplay, best music and best editing. "Wyler told me I should go back to college, because there wasn't much call for a guy with no hands in the motion picture industry," Russell once said, so he did, getting a business degree. He also wrote his autobiography, Victory in My Hands, but he also continued to act on occasion. In 1964, he was named chairman of the President's Committee on Hiring the Handicapped. Russell died January 29 from a heart attack. He was 88. From This is True for 27 January 2002 Suggestions for further reading:
 By: Doris Lessing List Price: $25.95 Amazon Price: $17.13 Editorial Review: I think my father's rage at the trenches took me over, when I was very young, and has never left me. Do children feel their parents' emotions? Yes, we do, and it is a legacy I could have done without. What is the use of it? It is as if that old war is in my own memory, my own consciousness. In this extraordinary book, the 2007 Nobel Laureate Doris Lessing explores the lives of her parents, each irrevocably damaged by the Great War. Her father wanted the simple life of an English farmer, but shrapnel almost killed him in the trenches, and thereafter he had to wear a wooden leg. Her mother, Emily, spent the war nursing the wounded in the Royal Free Hospital after her great love, a doctor, drowned in the Channel. In the fictional first half of Alfred and Emily, Doris Lessing imagines the happier lives her parents might have made for themselves had there been no war; a story that begins with their meeting at a village cricket match outside Colchester. This is followed by a piercing examination of their relationship as it actually was in the shadow of the Great War, of the family's move to Africa, and of the impact of her parents' marriage on a young woman growing up in a strange land. "Here I still am," says Doris Lessing, "trying to get out from under that monstrous legacy, trying to get free." Triumphantly, with the publication of Alfred and Emily, she has done just that.  By: Jim Sheeler List Price: $25.95 Amazon Price: $17.13 Editorial Review: Based on his Pulitzer Prize-winning story, Jim Sheeler’s unprecedented look at the way our country honors its dead; Final Salute Is a stunning tribute to the brave troops who have lost their lives in Iraq and Afghanistan and to the families who continue to mourn them They are the troops that nobody wants to see, carrying a message that no military family ever wants to hear. It begins with a knock at the door. “The curtains pull away. They come to the door. And they know. They always know,” said Major Steve Beck. Since the start of the war in Iraq, marines like Major Beck found themselves thrown into a different kind of mission: casualty notification. It is a job Major Beck never asked for and one for which he received no training. They are given no set rules, only impersonal guidelines. Marines are trained to kill, to break down doors, but casualty notification is a mission without weapons. For Beck, the mission meant learning each dead marine’s name and nickname, touching the toys they grew up with and reading the letters they wrote home. He held grieving mothers in long embraces, absorbing their muffled cries into the dark blue shoulder of his uniform. He stitched himself into the fabric of their lives, in the simple hope that his compassion might help alleviate at least the smallest piece of their pain. Sometimes he returned home to his own family unable to keep from crying in the dark. In Final Salute, Pulitzer Prize–winning journalist Jim Sheeler weaves together the stories of the fallen and of the broken homes they have left behind. It is also the story of Major Steve Beck and his unflagging efforts to help heal the wounds of those left grieving. Above all, it is a moving tribute to our troops, putting faces to the mostly anonymous names of our courageous heroes, and to the brave families who have made the ultimate sacrifice for this country. Final Salute is the achingly beautiful, devastatingly honest story of the true toll of war. After the knock on the door, the story has only begun.  By: Robert Hicks List Price: $14.99 Amazon Price: $10.19 Editorial Review: In an Author's Note at the end of his book The Widow of the South, Robert Hicks tells us that "when Oscar Wilde made his infamous tour of America in 1882, he told his hosts that his itinerary should include a visit to 'sunny Tennessee to meet the Widow McGavock, the high priestess of the temple of dead boys.'" Carrie McGavock, The Widow of the South, did indeed take it upon herself to grieve the loss of so many young men in the battle of Franklin, Tennessee, which took place on November 30, 1864. Nine thousand men lost their lives that day. She and her husband John eventually re-buried on their own land 1,481 Confederate soldiers killed at Franklin, when the family that owned the land on which the original shallow graves had been dug decided to plow it under and put it into cultivation. Before the battle begins, Carrie's house is commandeered for a field hospital and all normal life is suspended. Carrie is anything but normal, however. She has buried three children, has two living children she pays little attention to, has turned the running of the house over to her slave, Mariah, and spends her time dressed in black walking around in the dark or lying down lamenting her loss. She is a morbid figure from the outset but becomes less so as the novel progresses. The death going on all around her shakes her out of her torpor, but death is definitely her comfort zone. One of the soldiers who is treated at the house is Zachariah Cashwell, who loses his leg when Carrie sends him to surgery rather than watch him die. They are inextricably bound in some kind of a spiritual dance from then on. Their reasons for being drawn to each other are inexplicable, apparently, because they remain unexplained, and when Cashwell tells Carrie he loves her, she beats him nearly to death because she loves him too. At least, that is the reason Hicks gives. He violates that first caveat given to all writers: "show us, don't tell us." There is doubtless something deeply flawed in Carrie and screamingly symbolic about her behavior; it is surely elusive. Too bad, because Carrie was a real person whom Hicks lauds for her compassion and ability to grieve without end. Then, he throws in this gratuitous "love story" and confuses the issue. Carrie's relationship with her husband and children remains unexamined. Hicks is better at describing death and "the stink of war" than he is at life. If you read War and Peace and loved all the war parts and were bored senseless by the peace parts, this is your cup of tea. --Valerie RyanIn an Author's Note at the end of his book The Widow of the South, Robert Hicks tells us that "when Oscar Wilde made his infamous tour of America in 1882, he told his hosts that his itinerary should include a visit to 'sunny Tennessee to meet the Widow McGavock, the high priestess of the temple of dead boys.'"Carrie McGavock, The Widow of the South, did indeed take it upon herself to grieve the loss of so many young men in the battle of Franklin, Tennessee, which took place on November 30, 1864.Nine thousand men lost their lives that day.She and her husband John eventually re-buried on their own land 1,481 Confederate soldiers killed at Franklin, when the family that owned the land on which the original shallow graves had been dug decided to plow it under and put it into cultivation.Before the battle begins, Carrie's house is commandeered for a field hospital and all normal life is suspended.Carrie is anything but normal, however.She has buried three children, has two living children she pays little attention to, has turned the running of the house over to her slave, Mariah, and spends her time dressed in black walking around in the dark or lying down lamenting her loss.She is a morbid figure from the outset but becomes less so as the novel progresses.The death going on all around her shakes her out of her torpor, but death is definitely her comfort zone.One of the soldiers who is treated at the house is Zachariah Cashwell, who loses his leg when Carrie sends him to surgery rather than watch him die.They are inextricably bound in some kind of a spiritual dance from then on.Their reasons for being drawn to each other are inexplicable, apparently, because they remain unexplained, and when Cashwell tells Carrie he loves her, she beats him nearly to death because she loves him too.At least, that is the reason Hicks gives.He violates that first caveat given to all writers: "show us, don't tell us."There is doubtless something deeply flawed in Carrie and screamingly symbolic about her behavior; it is surely elusive.Too bad, because Carrie was a real person whom Hicks lauds for her compassion and ability to grieve without end.Then, he throws in this gratuitous "love story" and confuses the issue.Carrie's relationship with her husband and children remains unexamined. Hicks is better at describing death and "the stink of war" than he is at life.If you read War and Peace and loved all the war parts and were bored senseless by the peace parts, this is your cup of tea. --Valerie Ryan  By: Chris HedgesLaila Al-Arian List Price: $22.95 Amazon Price: $15.61 Editorial Review: Best-selling author and Pulitzer Prize-winning journalist Chris Hedges and journalist Laila Al-Arian spent the past year interviewing over fifty veterans to expose the patterns of the occupation in Iraq. The testimonies of these soldiers—many of who remain deeply traumatized by their experiences—uncover how the very conduct of the war and occupation have turned the American forces into agents of terror for most Iraqis. Collateral Damage is organized around key military operations—Convoys, Checkpoints, Detentions, Raids, Suppressive Fire, and “Hearts and Minds.” Military convoys traveling at tremendous speeds through towns have become trains of death. Civilians are routinely run over or shot to death. Soldiers fire upon Iraqi vehicles with impunity at checkpoints. Late-night detentions based on shoddy intelligence terrify women, traumatize children, and radicalize the young men caught in their dragnet. These soldiers have found the moral courage to speak out about the true nature of a war that has become one long, unchecked atrocity, and has given rise to the instability, sectarian violence and chaos that we witness today in Iraq.  By: Tanya Biank List Price: $23.95 Amazon Price: $5.99 Editorial Review: Under the Sabers is a groundbreaking narrative detailing the complex personal challenges Army wives face, presenting a provocative new look at Army life. Tanya Biank goes beyond the sound bites and photo ops of military life and shows what it is really like to be an Army wife—from hauling furniture off the rental truck by yourself at a new duty station when your husband is in the field, to comforting your son who wants his dad home from Afghanistan for his fifth birthday—she takes readers into the hearts and homes of today’s military wives. In the summer of 2002, Army wives were in the headlines after Biank, a military reporter for the Fayetteville Observer, made international news when she broke the story about four Army wives who were brutally murdered by their husbands in the span of six weeks at Fort Bragg, an Army post that is home to the Green Berets, Airborne paratroopers, and Delta Force commandos. By that autumn, Biank, an Army brat herself, realized the still untold story of Army wives lay in the ashes of that tragic and sensationalized summer. She knew the truth—wives were the backbone of the Army. They were strong—not helpless—and deserved more than the sugarcoating that often accompanied their stories in the media. Under the Sabers tells the story of four typical Army wives, who, in a flash, find themselves neck-deep in extraordinary circumstances that ultimately force them to redefine who they are as women and Army wives. In this fascinating and meticulously researched account, Biank takes the reader past the Army’s gates, where everyone has a role to play, rules are followed, discipline is expected, perfection praised, and perception often overrides reality. Biank explores what happens when real life collides with Army convention. Biank describes what it means to be a wife and mother in a subculture that is in a constant state of readiness for war. In this hard-hitting and powerful book, Biank takes a close look at the other woman—the Army itself—and its impact on wives, marriages, and home life. This story of strength and perseverance is an eye-opener for those who have never experienced military life and an anthem to those women who each day live the “unwritten code.” |
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