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Randy Cassingham's Honorary Unsubscribe Recognizes the Unknown, the Forgotten and the Obscure People who Had an Impact on Our Lives |
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As a boy growing up in occupied Hungary, Kovacs fell in love with the movies. After he was accepted into Budapest's Academy of Drama and Film Art he saw "Citizen Kane" (1941). The film "changed my visual vocabulary," he said, and he decided to become a cinematographer -- the director of photography who does the photographic work on movies. He escaped Hungary in 1956, bringing with him 30,000 feet of film of the Hungarian resistance against Communism, which later was used in a documentary. Arriving finally in Los Angeles in the early 1960s, he worked on National Geographic TV specials. And in 1969, he filmed his breakout movie: Easy Rider, putting his own stamp on the motorcycle trip film based on his own bus ride from New Jersey to the west coast. Other seminal films included Five Easy Pieces, What's Up, Doc?, Paper Moon, Ghost Busters, Shattered, My Best Friend's Wedding -- more than 70 in all. "He was one of the great wave of cinematographers in the 1970s who basically changed the way movies had looked up until that time," said Richard Crudo, a former president of the American Society of Cinematographers. Kovacs died at home July 21, apparently from cancer. He was 74.
From This is True for 22 July 2007
Suggestions for further reading:
Wildflower: An Extraordinary Life and Untimely Death in Africa
By: Mark Seal
List Price: $26.00
Amazon Price: $14.30
Editorial Review:
Wildflower is a compelling work of narrative nonfiction in which the shocking death of a dedicated environmentalist becomes a broader story of a beautiful, breathtaking country in peril.
In January 2006, Joan Root, a sixty-nine-year-old naturalist, Oscar-nominated wildlife filmmaker, and staunch conservationist, was murdered by two masked men armed with an AK-47 shortly after midnight in her bedroom on the shore of Kenya's beautiful Lake Naivasha. Was it a random robbery gone bad, as the local police seemed to think, or was it a cold-blooded contract killing carried out at the behest of enemies Root had made in her efforts to protect Kenya's wildlife? Veteran journalist Mark Seal set out to investigate this gripping real-life murder mystery-and instead found an unforgettable story not only of a tragic death but of the remarkable life that preceded it.
With compassion and an unswerving regard for the truth, Seal lays bare the deeply moving, inspirational history of Joan Root, covering her early days in Kenya as a shy young woman with an almost uncanny ability to connect to animals; her whirlwind courtship with the dashing Alan Root, their marriage, and the twenty years of nonstop adventure, passionate romance, and groundbreaking wildlife filmmaking that followed, both in Africa and around the world; the shattering disintegration of the marriage and partnership; and Joan's triumphant struggle to reinvent herself as the protector of her lakeshore community's fragile ecosystem-a struggle that would lead to her death.
Wildflower is also the story of Kenya itself. A country blessed with unmatched beauty that is one of the last repositories of rare wildlife on the African continent, Kenya has also been scarred by decades of colonization and a culture of corruption fueled by the frequently competing agendas of conservationists and business interests. Joan Root dreamed of a bright future for Kenya and spent her life fighting with quiet heroism and courage to make that dream a reality. Her life ended too soon, but her legacy lives on.
From the Hardcover edition. Book Description
For readers of the bestselling White Mischief and Midnight in the Garden of Good and Evil--Vanity Fair contributing editor Mark Seal tells the mesmerizing story of the captivating life and shocking death of world-renowned naturalist Joan Root.
From her passion for animals to her storybook love affair to her hard-fought crusade to save Kenya?s beautiful Lake Naivasha, Wildflower is naturalist, filmmaker, and lifelong conservationist Joan Root?s gripping life story--a stunning and moving tale featuring a remarkable modern-day heroine.
After twenty years of spectacular, unparalleled wildlife filmmaking together, Joan and Alan Root divorced and a fascinating woman found her own voice. Renowned journalist Mark Seal offers this breathtaking, culturally relevant portrait of a strong woman discovering herself and fighting for her beliefs before her mysterious and brutal murder. With a cast of characters as wild, wondrous, and unpredictable as Africa itself, Wildflower is a real-life adventure tale set in the world?s fast-disappearing wilderness. Rife with personal revelation, intrigue, corruption, and murder, readers will remember Joan Root?s extraordinary journey long after they turn the last page of this utterly compelling book.
Mark Seal on Wildflower
The report was chillingly brief:
Conservationist Killed
Joan Root, animal lover and conservationist who collaborated with her husband, Alan, on wildlife documentaries in the 1970?s, was killed on Jan. 13 in Naivasha, Kenya. Root was shot to death by assailants who invaded her farmhouse, the police said. Two men were arrested, officials said. One of the couple?s films, Mysterious Castles of Clay, narrated by Orson Welles, showed the inner workings of a termite mound. It was nominated for an Oscar in 1978.
As a contributing editor at Vanity Fair magazine, I am always in search of great stories, and this one seemed to have plenty of the right ingredients: conservationist and wildlife filmmaker, nominated for an Oscar for a film narrated by the legendary Orson Welles, murdered for unknown reasons in Africa.
As soon as I began to research her, I quickly realized that Joan Root wasn?t just another wildlife filmmaker. She and her husband, Alan Root, were, for a time in the 1970s and 1980s, the world?s greatest wildlife filmmakers, mythical figures to nature lovers of all ages. You didn?t merely watch Joan and Alan on television and on flickering classroom screens across Africa and Great Britain, you traveled with them, whether they were sporting with ferocious crocodiles and hippos in exotic lakes, sailing over Mount Kilimanjaro in a hot air balloon, or being chased, mauled, bitten, gored, and stung by every conceivable creature as they drove, flew, ran, and swam across Africa, determined to capture the continent and its wonders on film before this wild world was lost forever. They were pioneers, filming animal behavior without human interference decades before films such as Winged Migration and March of the Penguins were made. Their movies were often narrated by top movie stars, including David Niven, James Mason, and Ian Holm, and in 1967 one of their films had a royal premiere in London, where the couple was presented to the Queen.
They introduced the American zoologist Dian Fossey to the gorillas she would later die trying to save, took Jacqueline Kennedy up in their hot air balloon, and covered much of Africa in their single-engine Cessna and their amphibious car. Then, for reasons the public never really knew, they suddenly vanished from the screen as mysteriously as some of the endangered species they had documented. They separated and later divorced. Alan, the more outspoken of the couple, went on to become a wildlife-filmmaking icon, winner of awards, tributes, and accolades. Meanwhile, blonde, bronzed, beautiful Joan, who was intensely shy and always in the background, both as her husband?s capable backup and the unheralded producer of their films, dropped out of filmmaking altogether, retreating to live alone on 88 acres in Naivasha, Kenya, where she devoted herself to saving the ecologically imperiled lake on which her land stood. It was there, in her bedroom at 1:30 A.M. on January 13, 2006, that she was brutally murdered by assailants with an AK-47 automatic rifle. Screaming in Swahili that they would fill her with so many holes she?d ?look like a sieve,? they pumped bullets through the glass and the bars of her bedroom windows until Joan--who, at 69, had become one of the most indomitable conservationists in the world--lay dead in a pool of her own blood.
Within a week of reading the paragraph in the Times Digest, I had an assignment to write an article about Joan Root for Vanity Fair. After landing in Nairobi, I drove 55 miles west to Joan Root?s home on Lake Naivasha for her memorial service.
Thus began a three-year journey into the incredible life--and brutal murder--of Joan Root, a sweet and gentle woman, who rarely spoke above a whisper and had spent decades passionately helping the desperately poor and needy of Kenya. Some, including the police, were convinced that her murder was the result of a simple robbery attempt. But if robbery was the motive, others asked, why was nothing stolen from her house? And why the barrage of bullets, when the threat of one would have persuaded most people in crime-ridden Naivasha or nearby Nairobi (which is known familiarly these days as ?Nairobbery?) to surrender their cash? The likely explanation, many of her friends felt, was that Joan had been the target of a contract killing--easily arranged in Kenya for about $100 a hit--because of her conservation activities around the lake.
The article I wrote, which was published in the August 2006 issue of Vanity Fair, was just one more dispatch in the deepening mystery of a fascinating woman. Yet, like the chilling paragraph that had galvanized me in the beginning, the article seemed to make a visceral connection with readers. People would stop me on the street to discuss this indomitable individual. A dozen feature filmmakers expressed interest in obtaining rights to the article. Several publishers urged me to expand it into a book.
Most magazine stories tend to come and go, but this one wouldn?t die after the next issue hit the stands. It seemed to have a life of its own. Working Title Films optioned the rights to the article for a feature film, with Julia Roberts set to co-produce and star as Joan Root, all of which was announced to great fanfare at the 2007 Cannes Film Festival, making international headlines. Still, I thought the story was over, at least for me. Joan Root was dead, and because she had rarely expressed her feelings, much less verbalized them, even to her closest friends, most of her personal story was presumably buried with her.
Then something incredible happened. Joan Root began speaking, through hundreds of letters she had written to her mother, and a meticulously kept diary, in which she recorded her activities over the years. With these documents as my source materials, as well as interviews with those who knew, loved and worked with Joan Root, I was able to assemble the incredible story of not only her life, but also the cause she died for, trying to save the land and the animals that she so loved.
Wildflower: An Extraordinary Life and An Untimely Death in Africa is a book I couldn?t have imagined in the beginning of my research: the story of a brave and fearless woman who stood up for what she believed in at whatever cost that stand entailed. --Mark Seal
A Look Inside Wildflower Click on thumbnails for larger images Joan Root Joan with a baby elephant Joan with an antelope
(Photo © Alan Root)
Cinematic Storytelling: The 100 Most Powerful Film Conventions Every Filmmake...
By: Jennifer Van Sijll
List Price: $24.95
Amazon Price: $16.47
Editorial Review:
What the industry's most succcessful writers and directors have in common is that they have mastered the cinematic conventions specific to the medium.
Master Shots: 100 Advanced Camera Techniques to Get an Expensive Look on Your...
By: Christopher Kenworthy
List Price: $24.95
Amazon Price: $16.47
Editorial Review:
Master Shots gives filmmakers the techniques they need to execute complex, original shots on any budget. By using powerful master shots and well-executed moves, directors can develop a strong style and stand out from the crowd. Most low-budget movies look low-budget because the director is forced to compromise at the last minute. Master Shots gives you so many powerful techniques that youll be able to respond, even under pressure, and create knock-out shots. Even when the clock is ticking and the light is fading, the techniques in this book can rescue your film and make every shot look like it cost a fortune. Each technique is illustrated with samples from great feature films and computer-generated diagrams for absolute clarity.
The Animator's Survival Kit
By: Richard Williams
List Price: $30.00
Amazon Price: $19.80
Editorial Review:
The definitive book on animation, from the Academy Award-winning animator behind Who Framed Roger Rabbit?
Animation is one of the hottest areas of filmmaking today--and the master animator who bridges the old generation and the new is Richard Williams. During his more than forty years in the business, Williams has been one of the true innovators, winning three Academy Awards and serving as the link between Disney's golden age of animation by hand and the new computer animation exemplified by Toy Story.
Perhaps even more important, though, has been his dedication in passing along his knowledge to a new generation of animators so that they in turn could push the medium in new directions. In this book, based on his sold-out master classes in the United States and across Europe, Williams provides the underlying principles of animation that every animator--from beginner to expert, classic animator to computer animation whiz --needs. Urging his readers to "invent but be believable," he illustrates his points with hundreds of drawings, distilling the secrets of the masters into a working system in order to create a book that will become the standard work on all forms of animation for professionals, students, and fans.
Apple Pro Training Series: Final Cut Express 4
By: Diana Weynand
List Price: $44.99
Amazon Price: $29.69
Editorial Review:
The only Apple-certified guide to Final Cut Express 4, this book delivers the techniques you need to make movie magic with DV, HDV, or AVCHD footage. Each chapter presents a complete lesson in an aspect of video editing and finishing, with hands-on projects to complete as you go. All the files you need are on the included DVD-ROM. You?ll learn how to make effective edits and adjust them precisely; create polished transitions and sophisticated composites; add audio tracks, titles, and speed and motion effects; then color-correct and finish your video for export to DVD or the Web. Whether you?re a student, a devoted amateur who?s serious about digital video, or a professional who needs a comprehensive editing program, you?ll find everything you need to learn Final Cut Express 4 within the pages of this book. DVD-ROM includes lesson and media files for over 20 hours of training.
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