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An heir to the Guggenheim fortune, Straus decided to put his money where other people's mouths were: he co-founded a book publishing company, Farrar, Straus & Giroux. His goal for the company was to emphasize literary quality over profit, but found that the former very often led to the latter. He attracted some of the greatest writers of his time, names like T.S. Eliot, Isaac Bashevis Singer and Aleksandr Solzhenitsyn. "Many people have accused me of being an elitist," Straus once said. "I'm guilty. I am an elitist. I like good books." During his 50 years at the company's helm, books often won awards, including Pulitzers and National Book Awards. Straus died May 25 in New York from pneumonia. He was 87. From This is True for 23 May 2004 Suggestions for further reading:
 By: Richard Price List Price: $26.00 Amazon Price: $17.16 Editorial Review: Amazon Significant Seven, March 2008: No one has a better ear and eye for the American city than Richard Price, and in Lush Life, his first novel in five years, he leaves the fictional environs of Dempsy, New Jersey, where Clockers, Freedomland, and Samaritan were set, for a few crowded blocks of Manhattan's Lower East Side. There's a crime at the heart of the story, but you don't read Price for plot. Instead, you listen as he peels apart layers of class and history through the way his characters talk to each other: hipster bartenders who tell people they're really writers, homeboys from housing projects named after the Jewish immigrants who have long left the neighborhood, and cops, cops, cops, circling the streets looking for a collar, disappearing into their cases as their own lives go to ruin. --Tom NissleySo, what do you do?” Whenever people asked him, Eric Cash used to have a dozen answers. Artist, actor, screenwriter . . . But now he’s thirty-five years old and he’s still living on the Lower East Side, still in the restaurant business, still serving the people he wanted to be. What does Eric do? He manages. Not like Ike Marcus. Ike was young, good-looking, people liked him. Ask him what he did, he wouldn’t say tending bar. He was going places—until two street kids stepped up to him and Eric one night and pulled a gun. At least, that’s Eric’s version. In Lush Life, Richard Price tears the shiny veneer off the “new” New York to show us the hidden cracks, the underground networks of control and violence beneath the glamour. Lush Life is an Xray of the street in the age of no broken windows and “quality of life” squads, from a writer whose “tough, gritty brand of social realism . . . reads like a movie in prose” (Michiko Kakutani, The New York Times).  By: David Rothkopf List Price: $26.00 Amazon Price: $17.16 Editorial Review: Each of them is one in a million. They number six thousand on a planet of six billion. They run our governments, our largest corporations, the powerhouses of international finance, the media, world religions, and, from the shadows, the world’s most dangerous criminal and terrorist organizations. They are the global superclass, and they are shaping the history of our time. Today’s superclass has achieved unprecedented levels of wealth and power. They have globalized more rapidly than any other group. But do they have more in common with one another than with their own countrymen, as nationalist critics have argued? They control globalization more than anyone else. But has their influence fed the growing economic and social inequity that divides the world? What happens behind closeddoor meetings in Davos or aboard corporate jets at 41,000 feet? Conspiracy or collaboration? Deal-making or idle self-indulgence? What does the rise of Asia and Latin America mean for the conventional wisdom that shapes our destinies? Who sets the rules for a group that operates beyond national laws? Drawn from scores of exclusive interviews and extensive original reporting, Superclass answers all of these questions and more. It draws back the curtain on a privileged society that most of us know little about, even though it profoundly affects our everyday lives. It is the first in-depth examination of the connections between the global communities of leaders who are at the helm of every major enterprise on the planet and control its greatest wealth. And it is an unprecedented examination of the trends within the superclass, which are likely to alter our politics, our institutions, and the shape of the world in which we live.  By: Andrew Sean Greer List Price: $22.00 Amazon Price: $14.96 Editorial Review: From the bestselling author of The Confessions of Max Tivoli, a love story full of secrets and astonishments set in 1950s San Francisco “We think we know the ones we love.” So Pearlie Cook begins her indirect and devastating exploration of the mystery at the heart of every relationship, how we can ever truly know another person. It is 1953 and Pearlie, a dutiful housewife, finds herself living in the Sunset district of San Francisco, caring not only for her husband’s fragile health but also for her son, who is afflicted with polio. Then, one Saturday morning, a stranger appears on her doorstep and everything changes. All the certainties by which Pearlie has lived are thrown into doubt. Does she know her husband at all? And what does the stranger want in return for his offer of $100,000? For six months in 1953, young Pearlie Cook struggles to understand the world around her, most especially her husband, Holland. Pearlie’s story is a meditation not only on love but also on the effects of war—with one war just over and another one in Korea coming to a close. Set in a climate of fear and repression—political, sexual, and racial—The Story of a Marriage portrays three people trapped by the confines of their era, and the desperate measures they are prepared to take to escape it. Lyrical and surprising, The Story of a Marriage looks back at a period that we tend to misremember as one of innocence and simplicity. Like Ford Madox Ford’s The Good Soldier, Andrew Sean Greer’s novel is a narrative tour de force that confirms him as “one of the most talented writers around” (Michael Chabon).  By: Ishmael Beah List Price: $22.00 Amazon Price: $14.96 Editorial Review: My new friends have begun to suspect I haven’t told them the full story of my life. “Why did you leave Sierra Leone?” “Because there is a war.” “You mean, you saw people running around with guns and shooting each other?” “Yes, all the time.” “Cool.” I smile a little. “You should tell us about it sometime.” “Yes, sometime.” This is how wars are fought now: by children, hopped-up on drugs and wielding AK-47s. Children have become soldiers of choice. In the more than fifty conflicts going on worldwide, it is estimated that there are some 300,000 child soldiers. Ishmael Beah used to be one of them. What is war like through the eyes of a child soldier? How does one become a killer? How does one stop? Child soldiers have been profiled by journalists, and novelists have struggled to imagine their lives. But until now, there has not been a first-person account from someone who came through this hell and survived. In A Long Way Gone, Beah, now twenty-five years old, tells a riveting story: how at the age of twelve, he fled attacking rebels and wandered a land rendered unrecognizable by violence. By thirteen, he’d been picked up by the government army, and Beah, at heart a gentle boy, found that he was capable of truly terrible acts. This is a rare and mesmerizing account, told with real literary force and heartbreaking honesty.  By: Anne Fadiman List Price: $15.00 Amazon Price: $10.20 Editorial Review: Lia Lee was born in 1981 to a family of recent Hmong immigrants, and soon developed symptoms of epilepsy. By 1988 she was living at home but was brain dead after a tragic cycle of misunderstanding, overmedication, and culture clash: "What the doctors viewed as clinical efficiency the Hmong viewed as frosty arrogance." The Spirit Catches You and You Fall Down is a tragedy of Shakespearean dimensions, written with the deepest of human feeling. Sherwin Nuland said of the account, "There are no villains in Fadiman's tale, just as there are no heroes. People are presented as she saw them, in their humility and their frailty--and their nobility." Winner of the National Book Critics Circle Award for Nonfiction When three-month-old Lia Lee Arrived at the county hospital emergency room in Merced, California, a chain of events was set in motion from which neither she nor her parents nor her doctors would ever recover. Lia's parents, Foua and Nao Kao, were part of a large Hmong community in Merced, refugees from the CIA-run "Quiet War" in Laos. The Hmong, traditionally a close-knit and fiercely people, have been less amenable to assimilation than most immigrants, adhering steadfastly to the rituals and beliefs of their ancestors. Lia's pediatricians, Neil Ernst and his wife, Peggy Philip, cleaved just as strongly to another tradition: that of Western medicine. When Lia Lee Entered the American medical system, diagnosed as an epileptic, her story became a tragic case history of cultural miscommunication. Parents and doctors both wanted the best for Lia, but their ideas about the causes of her illness and its treatment could hardly have been more different. The Hmong see illness aand healing as spiritual matters linked to virtually everything in the universe, while medical community marks a division between body and soul, and concerns itself almost exclusively with the former. Lia's doctors ascribed her seizures to the misfiring of her cerebral neurons; her parents called her illness, qaug dab peg--the spirit catches you and you fall down--and ascribed it to the wandering of her soul. The doctors prescribed anticonvulsants; her parents preferred animal sacrifices. When three-month-old Lia Lee arrived at the county hospital emergency room in Merced, California, a chain of events was set in motion from which neither she nor her parents nor her doctors would ever recover. Lia's parents, Foua and Nao Kao, were part of a large Hmong community in Merced, refugees from the CIA-run "Quiet War" in Laos. Parents and doctors both wanted the best for Lia, but their ideas about the causes of her illness and its treatment could hardly have been more different. The Hmong see illness and healing as spiritual matters linked to virtually everything in the universe, while the medical community marks a division between body and soul, and concerns itself almost exclusively with the former. Lia's doctors ascribed her seizures to the misfiring of her cerebral neurons; her parents called her illness qaug dab peg - the spirit catches you and you fall down - and ascribed it to the wandering of her soul. The doctors prescribed anticonvulsants; her parents preferred animal sacrifices. The Spirit Catches You and You Fall Down moves from hospital corridors to healing ceremonies, and from the hill country of Laos to the living rooms of Merced, uncovering in its path the complex sources and implications of two dramatically clashing worldviews. |
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